Filmmaking

Part of the challenge of building a crowd in support of a film project is understanding what inspires and moves the individuals within. If you’ve been thorough with your planning and honest with yourself in identifying the true scope of your target audience, your crowd will inevitably consist of people with varying interests and passions. For first time filmmakers — or those launching any content project for the first time — a common mistake is the belief that those interests and passions will b...

Hey guys. Happy Sunday. Today, two more videos for you to enjoy with your morning java. First up, it's a look at how the Coen Brothers used very specific framing techniques to define character relationships in Fargo. I love this one...I think you will as well Next up, I have a brilliant look at editing in storytelling. This video is a piece of art unto itself that will no doubt invite repeat viewings. As always, all I ask in return is that you pay it forward and share this content through...

Has science found the answer to maintaining audience engagement consistently during a movie, by eliminating filmmakers 'blind narrative spots?' Although a scientific approach to filmmaking can provide an evidence based framework to maintain audience engagement, many filmmakers perceive a scientific approach to filmmaking as ineffective, which limits creativity. However, scientific research studies can determine what engages audiences, by measuring viewers reactions to different story structur...

You know when you’re a filmmaker and you move to Los Angeles away from all of the resources you’ve worked tirelessly to secure? A fresh start? No? Oh... Me neither...   Just kidding.   Earlier this year, I moved to Los Angeles with my best friend and co-collaborator, Courtney Birk, from Baltimore, Maryland. A 2700 mile drive to further pursue my film career. Being in a brand new city, I was at a loss for cast, crew, and locations. After finally getting settled (beyond finding a survival...

One of the biggest challenges filmmakers and screenwriters face is to keep their creative energy fresh and high, while working on projects that ask years of endurance and at times don't feel creative. What often drove us toward filmmaking - the excitement of creating stories - can quickly become the thing we connect with the less as we work toward building our careers: handling deadlines, finding an agent, raising money, applying to festivals, answering casting calls and the 100 other tasks...

The AT&T Film Awards, a short film contest presented by AT&T, is seeking imaginative, undiscovered short films from aspiring filmmakers who want their voices heard. The contest is seeking short films from student filmmakers (from middle school to recent college graduates), and filmmakers who are shooting films using mobile tech (e.g. smartphones, GoPro, tablets, drones).   AT&T is offering prize packages that include cash, camera gear prizes, a scholarship to attend a summer film program...

Happy Sunday, everyone.  Let's brew some dark roast and enjoy some content.  How about it? My first video today comes from Teppo Haapoja who lends some thoughts on how to up your storytelling game by grabbing all the shots you need to assure you're not getting caught short in the editing room. Next, I have an oldie but a goodie.  It's a fantastic TEDx talk from visual artist, actor, writer and director Taika Waititi called The Art of Creativity.  Consume, bookmark, revisit. As always, my o...

We want to give a huge shout out to Ron Newcomb for having our fearless leader, RB, as a guest on the Film Trooper podcast. This is an inspirational and motivating podcast filled with a ton of advice and information to help you as a creative. RB talks about how many filmmakers get wrapped up in how to "crowdfund". Most filmmakers are too focused on having people give them money to help make their movie. Most filmmakers don't stop and ask, "What can I give back to the people I'm asking money from...

Sorry I missed you guys last week! It's been a whirlwind these last few weeks attending and speaking at iTVFest, Austin and now AFM. It's also been enormously rewarding. Never gets old meeting so many inspiring and talented Stage 32 members. Further, it's been fascinating to hear the tales and strategies of various creatives and executives as it relates to this ever-changing landscape of writing, filmmaking and distribution. I hope to share more in the coming weeks. In the meantime, how about we...

"I'm not good enough to attend a film or television festival. I don't have shit. All I have is a half written screenplay and another stupid idea about intergalactic robots that survive on small children and peanut butter." That's what you're saying about your stuff right now, I just know it. You're thinking: 'I'm not good enough'. You believe what you have is crap. Therefore, because you think it's crap, you stay home and eat Cheetos. Or pizza. Or peanut butter. (Don't eat small children, p...