Filmmaking

Let me start by saying that I’m very proud of my film. It’s called Rematch. It took a lot of time and elbow grease to finish, but it’s done and it’s out there. And that counts for something. That being said, I don’t have any delusions about what I made. The short film landscape is incredibly competitive. I don’t know how accurate it is, but I read that as many as 12,000 short films are produced each year. I assume the source of this number is festival submissions, which means the true number is...

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, in this video essay by Elliot Roberts, he’s comparing the approach of two different feature film biopics- 'Steve Jobs' by Aaron Sorkin and Danny Boyle, starring Michael Fassbender, and ‘Jobs’ by Joshua Michael Stern and Matt Whiteley, starring Ashton Kutcher. You can learn a lot by comparing tw...

Happy Friday, Stage 32 Community! Our Stage 32 Team has been working diligently to bring in as many new resources and opportunities as possible to enrich your experience here in our community! At Stage 32 you have direct access to award-winning industry executives and professionals who’ve written, produced, developed, and represented acclaimed projects such as PLAYING WITH FIRE, BODYCAM, SPELL, LOVE & MONSTERS, AM I OKAY?, BORDERLANDS, DRAFT DAY, FLIGHT, AIR, THE INSTIGATORS, JOHN WICK, SI...

Happy Thursday, Stage 32 Community! I hope that the last month has been joyful and productive for you all! Our Stage 32 Education Team has certainly been hard at work to bring incredible education opportunities and resources to this fantastic community. This October, you'll have the chance to learn from knowledgeable industry executives, award-winning writers, producers, consultants, authors, podcast hosts, and representatives. Impressive creative professionals who have worked on or represen...

Have you ever wondered how a movie or TV show set is managed throughout each day of production with all of the moving parts, all of the people, all of the action, and only so many hours in the day? Or how the production manages to always get the same information into the right people’s hands at the right time during all of the controlled chaos? Moreover, how does each day's schedule fit into the bigger schedule of shooting the entire film or show? Who is running the set to make sure that the dir...

So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negotiated the deal, the...

Happy Sunday, Creative Army! First, congratulations to all of you who have already participated in our monthly Introduce Yourself Weekend! Thousands of connections have been made between entertainment creatives and professionals from around the globe. Whether you are a long-time member or brand new to Stage 32, take a moment to pop over to the Introduce Yourself Lounge and say hello before the end of the weekend. In this video from Corridor Crew, they’re diving into the history of one of the...

This was the first and last question I was asked as a student in film school. Is it something that we see on a big screen? That can’t possibly be the answer, you can see just about anything on a “big screen” these days and most cinematic experiences now happen in your home. I remember playing Metal Gear Solid on my Play Station and remarking that it was quite a “cinematic experience.” Yet, when I watch the news, I don’t feel like it’s a cinematic experience. So, in this, I can understand the...

Why Up-to-Date Cost Reports Matter & How to Solve Common Issues Film production is a fascinating intersection of creativity and complexity, where every detail—from the script to the screen—requires meticulous management. Yet, amidst the excitement of making movies, managing finances often feels like navigating a labyrinth. Producers, line producers (LPs), and accountants regularly face challenges, especially when it comes to tracking and managing expenses. A common scenario that epitomizes this...

We had two buildings when I started working at Walt Disney Feature Animation in 1999. There was the Northside building up near the Burbank Airport and the Southside building across the street from the lot off the 134 Freeway. It's commonly referred to as the "Hat Building" because of the giant iconic wizard's hat from The Sorcerer's Apprentice on the west end. The original Disney Animation building still stands in the middle of the Disney lot, but now it's mainly production offices. It has a lon...