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Trending Stage 32 Blogs
5 Rules For Writing Horror
So you’ve finally caught on that the easiest script to get made is horror. It’s global, it’s cheap and it’s the most-made genre with independent investors. What do you need to know? 1) Low Budget If You Are Not Established There are so many genius horror movies that take place in a house or a hotel or in the woods. Why? Because you only need one location. Monsters are tricky, but ghosts that you never really have to see (Paranormal Activity) are cheap. The cheaper your budget, the more likely...


Coffee & Content: Stop Playing It Safe & Taking Everything So Personally
Happy Sunday, Creative Army! Have you had a creative weekend so far? Whether you’ve been writing, filming, editing, or simply dreaming up your next big idea, I’ve got some inspiring content to fuel your passion and keep you moving forward. So grab your coffee, and let’s dive in. This week’s video essay from Film Stack is an inspiring one; it’s called “When an Actress Stopped Playing It Safe”. Few actresses have risked as much for their careers as Charlize Theron. She broke out in the lat...


My 10 Favorite Horror Movies & What They Taught Me About Screenwriting!
There are sooo many incredible Horror movies. It’s really hard to pick ten favorites. And my “10 Favorite Horror Movies” list changes a lot. I recently watched some movies that could be on this list one day. Here are my favorite Horror movies, why they’re my favorites, and one screenwriting tip from each movie. You can use some of these tips for other genres. And SPOILER ALERT- the below contains spoilers about the films!!! 10- THE PEOPLE UNDER THE STAIRS The People Under the Stairs is o...


Stage 32 Certification Partners With FilmScape Chicago!
Happy Friday, Stage 32ers! I’m excited to announce that FilmScape Chicago is partnering with Stage 32 Certification to offer our acclaimed Stage 32 Production Accounting Master Certification Course to train and elevate local talent, ensuring Chicago’s productions continue to thrive with the highest-caliber crews. “The most common question we get—whether through social media or in person—is, ‘How do I get started in this industry?’”, says FilmScape Chicago’s President, Ned McGregor. “Taking t...


How to Work the AFM (American Film Market) 2025 — Free Stage 32 Webcast!
Happy Thursday, Creative Army! Every year, the American Film Market (AFM) transforms Los Angeles into the beating heart of the global film industry, where thousands of producers, distributors, financiers, and creatives come together to make deals, launch projects, and build partnerships that define the year ahead. Whether you’re attending AFM for the first time or returning with new projects to pitch, understanding how to navigate this event strategically can make all the difference. That’s...


Insider Intel: The Resurgence of the Indie Market
I had lunch with a producer on Friday who's worked on major sci-fi franchises for studios like WB and Netflix. Their big takeaway? Whoever has the audience has the leverage. Theaters used to have it. Netflix has it now. But YouTube? YouTube has more leverage than anyone. Here's the shift: it's not enough to own content anymore. You have to own the distribution or the channel. More and more production companies are financing, producing, and distributing their own content to reach audiences di...


Scaring Up Funds: How to Acquire Investors For Your Horror Film
We’ve all heard the stories. Paranormal Activity, a film with a budget slightly less than a used Honda, made $193 million worldwide and launched a profitable franchise. That film’s progenitor, The Blair Witch Project, had a $60K budget and turned out a $250 million box office haul. The most profitable films from 2010 to 2015 were all horror films. 10. The Last Exorcism ($68M gross vs. $1.8M production budget) 9. Annabelle ($257M vs. $6.5M) 8. Chernobyl Diaries ($37M vs. $1M) 7. Ins...


Audience First: A Manifesto for Independent Producers
There is a particular silence that every independent creator knows. It is the silence of a sent folder after a week of no replies. It is the quiet dread of a theatre with more empty seats than occupied ones. It is the crushing stillness of a streaming analytics page, where the view count flatlines after a brief flicker of interest from friends and family. This silence is not bad luck. It is the sound of a dream colliding with the brutal mathematics of a new creative economy. The Old Dream and...


Coffee & Content: What Hollywood, Hackers & the Market Have in Common
Happy Sunday, Creative Army! Have you had a creative weekend so far? Whether you’ve been writing, filming, editing, or simply dreaming up your next big idea, I’ve got some inspiring content to fuel your passion and keep you moving forward. So grab your coffee, and let’s dive in. This week, I want to share a fascinating video essay from Frame Voyager: The 80s Film That Took Research Too Far. In 1983, WarGames hit theaters. On the surface, it was a teenage hacker thriller starring Matthew Br...


The Beginning, Middle and End: Where to Find Them in Your Novel
Writing a novel is a daunting task. There are so many things to consider before committing even a single word to that intimidating blank screen. What is the main line of action? How many subplots do I have? Who is the main character? Who are the supporting characters? What is the theme? The tone? The setting? How many settings? When does it take place? Why am I doing this? How stupid was I to think I could do this?! How in the holy hell am I going to get 90,000 words out of this stupid time trav...

