Screenwriting

Hellooooo, Stage 32 Community! We’re heading into the holiday season and I hope everyone is feeling thankful and staying warm! And Happy Thanksgiving to those who celebrated it! Now, we all know what time it is! It’s time for our monthly salute to our fantastic members here at Stage 32. I can’t tell you how much we enjoy highlighting and celebrating the successes of these hard-working creatives, it’s what we live for here at Stage 32. We love to shine the spotlight on these special members of...

To say the movie industry is in a transitional stage would be an understatement. Studios are still behind their pre-strike production output. Despite the outcome of the strikes, AI is still seen as an existential threat to professional screenwriters and the screenwriting community at large. The trend of studios staking all their output on tentpole franchises hasn’t seemed to lose momentum inside Hollywood studios, despite the fact that audiences speaking with their wallets want to see something...

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, in this video essay by Thomas Flight, he’s breaking down the elements that make for great exposition in your dialogue. Exposition in film and TV has a mostly bad reputation, but it’s really just another tool in the writer's toolbox. This video examines examples of exposition, discusses common m...

I have been writing and publishing stories for more than 10 years, first as a novelist. I always wrote in a silo, never sharing my work until I had reworked it countless times. Heaven forbid someone sees my terrible first draft! After publishing two novels this way, I opened myself up to a trusted friend as my next story was more complexly layered. It all made sense in my head, but would my reader get the connections? By bouncing around ideas and sharing my drafts with this friend, I fixed plot...

Happy Friday, Stage 32 Community! Our Stage 32 Team has been working diligently to bring in new educational and mentoring resources and opportunities to this fantastic community! This December, you'll have the chance to learn from knowledgeable industry executives, film commissioners, financiers, award-winning writers, producers, directors, cinematographers, authors, actors, and representatives. Impressive creative professionals who have worked on or represented such projects as THE SANDMA...

As a producer and executive in the entertainment industry for over 20 years, I’ve seen countless submissions and been in hundreds of pitch meetings - on both sides of the table. While the landscape is constantly changing, one thing remains clear - preparation is everything. Whether you’re submitting a script, pitching a new series, or meeting a potential collaborator, your level of preparedness can make all the difference in securing a deal or moving your project forward. Even if you want it...

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, in this Film Courage interview, they’re talking to writer, Jay Fingers, about how to handle rejection. Jay Fingers is a novelist, journalist, editor, and emerging screenwriter who authored four books: Guestlist, Kisses for Tati, Orange Mound, and Manhattan Sweetheart before moving to Los Angele...

Hello, Screenwriters! My name is Shaun. I am a Stage 32 Exec, Gotham Award-winning independent film producer, member of the Producers Guild of America, Repped Screenwriter, Script Consultant, and educator. I've been in the film and television industry for 29 years and producing for 15 of those years. In that time I have been privileged to work with and learn from some of the greatest filmmakers and performers in our industry - from James Cameron, Steven Spielberg, and Judd Apatow to Joe Wrig...

Working with writers as an instructor, consultant, and producer on developing television series, writing pilot scripts, and pitch bibles, I have found that the most exciting – and most difficult – part of the process is imagining that the show is being made and working out what the first season and subsequent seasons might be about. Sure, there will eventually be a writer’s room that will “break” the seasons (decide what happens in each episode), but before that happens, we dream up episodes and...

“I love this script”. It’s the beginning of my Stage 32 consult with a producer, and I’m flabbergasted. In my head, I’m thinking, “Oh! My! God! Did she just say she loves my script?” She continues, “It’s a cool story that deserves to be told.” I’m not expecting more than the typical encouragement and notes. So, I’m momentarily surprised to have someone excited about my story. IT TAKES PERSISTENCE We dream of hearing those words from a producer. But if you’re like me, there’s a long...