Screenwriting

If you’re a writer—whether you’re a writer of books, short stories, poetry, screenplays, or stage plays—you’ve likely gotten in your head a time or two about your writing. I can’t tell you how many times a story sat in my head for days, weeks, months—or even years sometimes—simply because I couldn’t get it to come out on the page as genius as it was in my head. There’s this ridiculous idea we have as writers that our genius is supposed to naturally share itself on the page as if it were li...

Hello, creatives! I’m digging into a topic today that’s so important to the success of your project because it creates the inner conflict we love to see in our characters. I’m talking about want (desire) and need -- the external and internal drivers of character choice. To help me explore this concept using a fresh perspective, I’m going to draw on my experience getting on the starting line as a runner and obstacle course racer. Looking at a race is a great place to study what motivates peopl...

It’s true that the writing sample is the most important part of any query letter. However, you need to spend some time making sure that the query letter is solid as well. First impressions matter, and you can rub agents the wrong way if your query letter isn’t up to snuff. Here are the 10 biggest mistakes screenwriters make when querying. 1. Using A Generic Greeting If you are submitting a query letter, address the agent properly by name in your greeting. It’s unprofessional to use a...

Hi, Stage 32ers! While you may have missed out on getting to attend Cannes in person, you certainly won’t miss out on the incredible insights that were shared there! At this year’s Cannes 2023, Stage 32 hosted a fantastic expert panel exploring the importance of representation, equity, and inclusion in film and television production. As well as, the impact of diverse storytelling on audiences, industry trends, and the business of filmmaking. Moderated by Martin I. Petrov (Festival Direc...

There's nothing quite like the adrenaline rush you get from watching an action or thriller story. Blockbuster franchise movies like TOP GUN: MAVERICK and FAST X explode at the box office while tense binge-worthy shows like YELLOWJACKETS and YOU keep us on the edge of our seats. Hollywood is always searching for the next big thrilling story -- and we want it to be YOURS! If you have an Action/Thriller story that needs to be told, now is the time to show us what you've got, because our goal is t...

Happy Sunday, Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee, and let's dive in. First up, we're looking at conversations on screen. These are some of the most challenging scenes to write, shoot, and edit in a way that's interesting. In this video from Cutting Concepts, they take a look at one of the best conversations in cinema with the opening scene of THE SOCIAL NETWORK, and how e...

Many times, when writing a script or a novel, you might consider the task of creating strong secondary characters for granted. That is, you have created a unique and interesting Sci-Fi world or main character that drives the action in your novel or screenplay. This drives the main character to overcome major obstacles and emotional challenges in order to achieve their goal by the end of the movie or novel. Their “Need” or “Desire” to achieve their goal is paramount to achieving a satisfactory...

I got my first internship in the animation business in 1998 and was hired full time as a production assistant for Walt Disney Feature Animation in 1999. I have worked relatively steadily in the animation industry ever since. One question I am often asked is, “How can I break into the animation industry?” Well, I’m not going to sugar coat it and say, “Just follow these simple steps, and you too can be living the dream in the magical world of animation!” The truth is, just like any endeavor, there...

Hi, Stage 32ers! While you may have missed out on getting to attend the Cannes Film Festival in person, you certainly won’t miss out on the incredible insights that were shared there! Stage 32 was proud to present 6 panels at the Cannes Marche du Film, which we will be sharing with you on the Stage 32 blog in the coming weeks. At this year’s Cannes Film Festival, I had the distinct honor of joining Sami Apra, CEO of Largo Film (Switzerland) and Christopher Morrison, Founder of Reality + fo...

In this era of Zoom pitches, writers sometimes question why they need a written pitch bible for a television project at all. Can’t you just pitch your show in a Stage 32 pitch session or to a contact in a meeting, send over a pilot script, and sell your show? Can’t the rest of the details be worked out later? Who would read your pitch anyway?  Actually, writing a pitch bible may be the most important step you take toward selling your show. Here are five reasons: Concept Does Not Equal Sustai...