Acting

Individualism. It’s the single most important element I have learned about life and the people I work with. No two people are the same. No two actors are the same. I believe directing actors entails: Knowing yourself Learning about each of your actors and what they need Training yourself to listen and assess everyone as an individual I began directing actors in 1974 when I made my first picture, INDEPENDENCE DAY. For the first ten years of my career I only directed independent films wh...

“CINEMA IS A MATTER OF WHAT’S IN THE FRAME AND WHAT’S OUT.” - Martin Scorsese The point of view of our creations starts with our personal worldview. How do you approach new contacts? Old teammates? Scripts, projects, edits? Here at Stage 32, we welcome. We invite and encourage. We may even suggest or request, all to set the stage for positive, productive relationships. Opening up a frame into "you" or "your craft" is an invitation to start an authentic conversation. If you have a lengthy...

Long-time Stage 32 member, blog contributor, webinar teacher, and international film & distribution aficionado, David Zannoni has series of exclusive Stage 32 blogs and vlogs to keep you up-to-date on the business of film across the globe. Today, David gives an update on virtual film markets and networking opportunities in 2021. You will learn about: Navigating virtual festival platforms What the virtual + physical festival landscape looks like in 2021 How to network at virtual festivals...

I've long since been on a writing hiatus. Call it treating myself, call it writer's block. Call it what you will. What's important is that I am taking a mental health break on my own terms. This is necessary every now and then. Yes, it can be seen as lazy. Yes, it can be seen as a lack of creative energy. What I call it is: essential. There was a time in which my output was off the charts. Quite possibly unhealthy levels of writing. Of course I write because I enjoy it. But, I had reached a cert...

After three and a half years of being a reader in multiple casting offices in Los Angeles, and participating in more than 10,000 auditions, I'm sharing with you the knowledge and insight I've gained by being a fly-on-the-wall in the room with casting director's, directors, producers, and showrunners. So take the journey with me, and discover some insider secrets that will help you manage your fears and expectations, as well as give you an edge as soon as you walk in the audition room. Episod...

Happy Sunday Creative Army! Have you had a creative weekend so far? I have some content here for you that is sure to get the creative juices flowing, so grab your coffee and let's dive in. First up, our friends over at StudioBinder have put together a great video highlighting the art of the opening scene. This video highlights how screenwriters & directors hook the audience in the first 10 minutes - whether through introducing characters, establishing relationships, and oftentimes, some good...

The film and television industry is global, yet, to many who live outside of the major production hubs (e.g., Los Angeles, Vancouver, Atlanta, New York City, London, etc.) it can feel out of reach. Stage 32 is the best community to keep us all connected, but what makes us the best? We help each other! But what are you doing to help yourself? RB often recommends on his “Ask Me Anything” series to read the trades. Which ones are you reading? Deadline, Variety, The Hollywood Reporter, IndieWire?...

“It’s good to have an end to journey toward, but it is the journey that matters in the end.” ~ Ernest Hemingway I love road trips! I love the idea of packing up the car and hitting the open road, not knowing what we’ll see or who we’ll meet along the way. I plan what I need to take, packing up any essentials. I then plan my destination, but what happens in between departure and arrival has a sense of fluidity! A Road Trip Down Memory Lane… My last road trip had three generations, my mu...

Previously here on Stage 32, you saw a blog from me titled, “Should People Be Interviewing You About Your Entertainment Career Yet?” There has been plenty of time since then to do what I like to call a self-audit, in this context to mean looking at the criteria I wrote about in there and deciding if you’re at a point where you should be an interviewee. How did you do? Good, I hope? I’m optimistic that as you read through that prior post, you were nodding and thinking, “Yes. Uh huh. I’ve done...

Eric Souliere has wanted to be a casting director since he was 11 years old. After growing up in Boston and getting his BFA in Film Studies from Hunter College in New York City, he moved to Los Angeles in February 2005. After working with Wendy O’Brien, Howard Meltzer, Carol Goldwasser, Sally Stiner, and Barbie Block, Eric began working at Ulrich Dawson Kritzer Casting in May 2006 as the casting assistant to Eric Dawson and Liz Dean on the FX series Nip/Tuck. He was then promoted to Associate...